Wednesday, October 20, 2010

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The biggest risk is not making a mistake

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Dear Dario,

between IRA and you could make me feel Halloween in Derry, helping my imagination to travel the roads between the bombs and witches. Even as children we are getting used to this holiday imported. Knock on the door with a basket and immediately ask, "Trick or Treat?". I do not know yet when they become dangerous with Halloween. Meanwhile, we are the trick: it is not expedient answer "Treat." You never know!

Frequently Always Sandinos? and the music is the same as always? by prestigious groups are still outside playing?
Saturday came out in the insert of a major newspaper in a weekly service Fashion Ireland. I thought of you.
TolentinoExpo The second edition was completed after three and a half days of opening to the public. They seem to have more than 30,000 people visited the Fair!
As you see, here too there is life. Derry is not, but we can not complain.

My students torment me at every lesson, now, with jazz. They want every time you tell them something new. Tonight I think I will run to say the irreversibility as a condition to improvise.

sparti David speaks thus:
Who can clear up a failed step. Who can not unexpected, nor can the next day, return to ring - but better - the same track, or to correct itself, not before the same audience, at least, can only continue from what has already run [.. .] There is a time out for those sudden.
Because improvisation is a practice irreversible, many jazz musicians have learned to exploit their own mistakes or those of their colleagues to undertake new paths as they fly improvisations. For most of the mistakes made during practice improvisation are almost never trivial but originate unusual combinations and bizarre ideas that are difficult to jazz musicians would come to mind in other contexts. Moreover, the biggest risk for those who suddenly is not making a mistake but not be interesting.

Students will not settle for these ideas which, I confess, are taken from the thesis Aesthetics of a friend of mine in Bologna. They'll want to know how, for example, the irreversibility is married with life as it originates from. They'll never believe it is only 'method', a 'look' of the practice described. I thought about it. I also think there is an affinity with some moments of high groundwater of my life I have experienced.

We know that the experience has reached the consciousness of a journey made: it's way, not only 'lived'. You imagine, then, how did you feel before going down a road that does not exclude others, a bit 'like when you undertake new studies to high school or college. After a while ', I keep thinking that you can go back, to take other roads. That 's what makes you feel free: it is not as yet have chosen. Think of freedom as to be always at a crossroads, as if life was just great emotion. As if you were rich in that only wealth you have in one thousand possibility, not one already 'consumed'.

You get to live and soon discover that, after covering a stretch of road, if you happen to believe in what you do and then if you fall in love with the choice made, if you take to think like the same choice, then it will feel a vertigo, a feeling of trepidation, even fear, because you understand that it makes no sense to think of going back before the 'crossroads', where games are your choices. You have already chosen. It is no longer time to decide. Now it's just 'life choice' made. no going back. It is not possible. You start to think that life is this: we can choose not to make any choice, for fear of slipping see life in his hands, but then hear the same pain that life goes on, it hesitates, knows no pause interminable and inconclusive.

You really begin to live when you get the arrow of time. It has been said that nobody was able to stop it. One might say then that life is unrelenting, but not in the sense that it is unjust and violent with us. Rather, it is a time of life, which we are made of dough, that can not be shaped by us. A German philosopher has said that the man is a being-towards-death, as if he were to be dedicated to that single goal. Life is always a little 'die. And learn to live, after all, is learning to die. Learning to live in the time to decide.

So, dear Dario, you'll understand why they are sometimes awkward and shy. Not out of cowardice or weakness I find myself thinking about the next steps. Rather, my hesitation is comparable eternal instant in which the angels themselves in front of the Most High will stop perplexed, as if to introduce a breach of the rule of the Lord: they know that after singing in front of him can not do more for all eternity ...

So we are confronted with the beauty. Linger delighted and perplexed. We want that to happen last forever. Note that we utter must be perfect, even if it can not last. We are not allowed to repeat the same song over and over again.
Every time again, time will remember that the mistake is behind us. One of us is gone forever. We just wait another moment to be seized ecstatic to be able to say who and thing. Again. Again.
We can only hope not to be put to shame and that our voice finally comes out clear and say just herself and her bewildered exist.
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